Showing posts with label performance. Show all posts
Showing posts with label performance. Show all posts

Jun 11, 2007

Surprise !

I saw a pretty unusual YouTube video today. Kind of funny, kind of cheesy, but great for that reference that is really hard to come by. There are some golden little moments that you just simply don't see that often... but may have to animate!

This guy comes onto one of these American Idol style talent shows, and does something that nobody really expects. The reactions from the judges are priceless, but also his own gestures and mannerisms are great to watch.

Watch the video, then I`ll point out a few things that really stood out to me. I suppose these things can be interpreted any way, and are pretty subjective, but its all research in the end !



Try not to be distracted by the ridiculous voices of "Ant and Dec".

  • ( for some reason embedded YouTube puts the time scale in remaining time )
  • -1:42 - This is my favourite bit. The female judge ( Amanda Holden ) is genuinely shocked and amazed. The way she holds her hands together after finishing the clap, the half laugh, and the little blink of disbelief. She is truly touched, and its a nice little moment of genuine femininity ( compare to the relaxed but impressed male reaction of Simon Cowell to screen right ) . Its almost like she has to hold the moment in her hands, because she cant quite believe it! Compare this too with her contrasting attitude at -3:50 the difference is huge! at this point she is a little condescending ( the way she quickly looks him up and down, frowning, not particularly impressed by his appearance ), then a few moments later her attitude is transformed completely.
  • -1:24 - Another great moment. Watch Simon Cowell's eyes and mouth after he says "fantastic". He really shows a number of things here. Firstly he is clearly humbled by the performance, but wants to retain his professional image and tries not to show it - but twice he looks down briefly and coupled with the blinking he gives this away. The fact that he smiles through this "submission" and also squints very slightly, shows how much he likes this guy, and not just his performance. Its almost like hes thinking "you just did something I could never do, even though I`m supposed to be judging you on it...". The way he holds his hand under his chin is like he's trying to raise his head, to keep his humility - in a "keep your chin up" kind of way. Very subtle stuff, but incredibly powerful if we could harness it and use it in our animation.
  • -1:04 - This one is interesting. After she finishes saying "diamond" she does a slightly elongated blink. This is because she realises that shes actually said something a little stupid. Shes waiting for the reaction from the audience, and when it doesn't come immediately, a little tinge of embarrassment is seen, just in this single slightly lengthy blink.
  • -3:12 - Back to near the start again. I like this little bit because it shows uncertainty and doubt in the guys eyes. After he sings the words "nessun dorma" ( or really at the start of "dorma" ) he does a very quick look down - I presume at the judges, and then quickly sets his eyes back to his little comfort zone that he clearly locks into right at the start of his performance. He is nervous here and wants a little token of reassurance. Its quick, but its there very clearly.
  • -1:46 - Sorry to jump around. I like the change on the guys face as he realises his fate is in the hands of the judges. At first he taking in the applause, smiling, and recovering knowing he has done all the hard work - but then quickly breathes out and straightens his face as he realises he must deal with what is said in the next few moments. He also does a little nod, a little gesture of reassurance to himself that it will be ok.
  • -0:36 - Look closely at the faces of the judges as they watch him walk off the stage. Once again I like the expression on the woman's face, and her body language. She has her hands flatly down on the table, which is kind of odd, but interesting. Its great too they way they all track him with their heads and not just their eyes as he walks off.

I think these subtle and hidden moments are much more powerful than any of the reactions, they edited together on the actual show. For instance the "half crying" and "face wiping" that the female judge is shown doing, says far less than a single pose that she holds around -1:42.

Anyway... I`m sure there's loads of things, of all different kinds you could pick out of any footage , I just thought that little clip had a nice set of unusual mannerisms and gestures I wanted to remember.

Jan 22, 2007

2D.. whats that ?

Well.. that was a joke. I know that personally I have to force myself to try and think in a 2D way when I work - I'm talking about thinking poses, thinking thumbnailing, trying to 'plan' my animation in a more traditional way. I never had any formal animation training, and so I learnt to animate in a more straight ahead, and layered fashion. Personally the change of technique to a more 'blocked' approach is my biggest creative challenge right now... its hard.

Anyway.. the point of this post is that I wanted to point you towards a great little program I found recently on the net. Its called "Plastic Animation Paper" and is simply a small, easy to use, and compact little 2D animation program. Its free too.

I was working on the blocking for my project at home ( and yes I will post info on this soon ), and I was getting stuck with a particular broad action. I was posing through it when I thought "I think I need to add a pose inbetween here to get the effect I want", but I wasn't 100% sure if it really would work. This is the problem with 3D - I then have to spend about 20 minutes posing up that frame ( for a rough pose at that ) ... this to me seems fruitless as I just wanted to see if a shape would make for a more expressive transition.
So I thought it best to draw up a few poses in very loosely in Plastic Animation Paper, and asses it there. It was remarkably successful, and in fact I ended up animating the action in a way I`m certain I wouldn't have thought of If I hadn't done this.


There are simple options for frame management and playback, and a cool 'lightbox' feature to see your frames underneath. This drawing is embarassing, but a good example of the basic kind of image needed to explore an idea.

To me, moments of realisation like that really mean something. I do plan and draw my ideas, but only very loosely, and I dont spend too long thinking about the actual mechanics of how A gets to B because I like to concentrate on the performance. Using a small 2D animation prog however, can really help you concentrate on that part when the times comes to nail down exactly how A does get to B.

You can grab the program here: Plastic Animation Paper